Kristina ChapmanCreative Entrepreneurs: half•alivehalf•alive frequently engages with new creative processes. The band, formed back in 2016, experiments with a large variety of creative…Apr 15, 2021Apr 15, 2021
Kristina ChapmanUnpacking Findings: Can the TikTok format be used to effectively emulate archetypical film…There are several archetypical film aesthetics that have helped shaped and build cinema to what we understand of it today. However, for…Dec 21, 2020Dec 21, 2020
Kristina ChapmanConventional and unconventional portrayals of fame in filmA comparative essay between Almost Famous (2001) and Content (2019)Dec 10, 2020Dec 10, 2020
Kristina ChapmanExploring TikTok’s story conventionsFor CIM406 Creative Inquiry, I will be researching TikTok conventions and linking to archetypical film aesthetics.Dec 8, 2020Dec 8, 2020
Kristina ChapmanTraditional television’s artificial cliff-hanger syndrome and the reshaping of streaming…How streaming television has reshaped the story structure and cliff-hangers within televisionDec 7, 2020Dec 7, 2020
Kristina ChapmanDoes the innovation of smartphones alongside the internet corrupt morality?Reflecting on the medium of social media and its effect on how we socialiseDec 7, 2020Dec 7, 2020
Kristina ChapmanMyself and FilmComing to terms with the filmmaker I have become through the embodiment of films I have consumed.Nov 26, 2020Nov 26, 2020
Kristina ChapmanWes Anderson’s Ability to Make us Feel ComfortedThe analysis of film colour in Wes Anderson’s filmographyNov 24, 2020Nov 24, 2020
Kristina ChapmanAffect and aesthetics in my pilot SVOD seriesI explore how climate anxiety will be portrayed in my SVOD series, Therians.Nov 21, 2020Nov 21, 2020
Kristina ChapmanWhy is curiosity without the ‘u’ and curious with the ‘u’?The journey to cultivate my curiosity with the help of detailed inquiry and research.Nov 18, 2020Nov 18, 2020
